The Visitor (Original)
A majestic black stallion stands in the center of an empty pink house. Sunlight streams in through dusty windows, casting a warm glow on its sleek coat. The horse's ears twitch as it listens to the unfamiliar creaks and groans of the abandoned home. Despite the incongruity of its surroundings, the horse exudes a quiet strength and grace, a silent reminder of untamed beauty in an otherwise lifeless space.
Dimensions: 24” x 24”
Materials Used: Oil on wood panel, Oak Frame.
A majestic black stallion stands in the center of an empty pink house. Sunlight streams in through dusty windows, casting a warm glow on its sleek coat. The horse's ears twitch as it listens to the unfamiliar creaks and groans of the abandoned home. Despite the incongruity of its surroundings, the horse exudes a quiet strength and grace, a silent reminder of untamed beauty in an otherwise lifeless space.
Dimensions: 24” x 24”
Materials Used: Oil on wood panel, Oak Frame.
A majestic black stallion stands in the center of an empty pink house. Sunlight streams in through dusty windows, casting a warm glow on its sleek coat. The horse's ears twitch as it listens to the unfamiliar creaks and groans of the abandoned home. Despite the incongruity of its surroundings, the horse exudes a quiet strength and grace, a silent reminder of untamed beauty in an otherwise lifeless space.
Dimensions: 24” x 24”
Materials Used: Oil on wood panel, Oak Frame.
ABOUT THE ARTIST: KYM DAY
Kym is a realist oil painter in Greenville, SC. Originally from McKinney, TX, she grew up in Georgia and the Carolinas. She received a BFA in painting from the Maryland Institute College of Art and a MFA in sculpture from Clemson University.
Rooted in realism, and steeped in dream logic, the Western-infused imagery points to my roots and early childhood in Texas, and I aim to imbue the work with a sense of wonder, in an attempt to reaccess my childhood imagination.
“I’ve forever been drawn to the motif of the horse, perhaps the inherent call of the horseless horse-girl, and growing up, my father’s John Wayne film collection kept my mind filled with cowboys. As a kid, my bicycle became my trusty steed named Nancy, after Nancy Drew.”
The painted daydreams often entail visitations by curious horses, sometimes found sneaking through an empty house, celebrating a birthday with other livestock, or relaxing poolside.
“My techniques and use of realism reflect my interest in art historical symbolism. The cowboys and livestock in my work often find themselves subject to dream logic, navigating diversions like takeout food, wildfires, and magic eight balls. These operate as metaphors for the junk we consume and create, and our vain desire to see into the future.”
“My paintings filter the nostalgia for my Texan roots through the lenses of pop culture, daydream, and fantasy. I find utter joy in merging beauty with absurdity.”
